The story in this post was actually forwarded by a very dear friend. I am posting it here with an added post script, the content of which is entirely my view on the 'other' advantages of singlehood. The story goes:
Once upon a time, a guy asked a girl 'Will you marry me?' The girl said: 'NO!' And the girl lived happily ever after.
She went shopping, dancing, camping, drank martinis, always had a clean house, never had to cook, did whatever the hell she wanted, never argued, didn't get fat, traveled more, had many lovers, didn't save money, and had all the hot water to herself. She went to the theatre, never watched sports, never wore friggin' lacy lingerie, had high self esteem, never cried or yelled, felt and looked fabulous in sweat pants and was pleasant all the time.
Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass!
April 27, 2008
April 25, 2008
Dil Dosti Etc
One always thought - love is two people meeting, falling in love and then living happily ever after. This is one movie that shatters the myth. This is real life. There's nothing called love. Just plain sex. Sex, I repeat, and not love making.
The tagline of the film says - When you are young, you believe, the possibilities are endless...
What possibilities...one wonders after the film...possibilities that you can have as many girls as you want, in a day?
This urban flick, directed by Manish Tiwary, juxtaposes the lives of two university hostellers - Apurv (Imaad Shah), a rich listless guy and, Sanjay Mishra (Shreyas Talpade), an old-fashioned Bihari, aspring to make it big in university politics. It's through their story that the director tries to contrast the liberal outlook with the conservative outlook in our society. Through its ensemble cast, the film explores male bonding, voyeurism, sexual perversion, love and of course, betrayal.
But from a personal point of view, the film centres way too much around sex, sex and more sex...and the climax broke my heart. What a shame. Makes one realize that there’s no dearth of likes of Apurvas around us. What say?
The tagline of the film says - When you are young, you believe, the possibilities are endless...
What possibilities...one wonders after the film...possibilities that you can have as many girls as you want, in a day?
This urban flick, directed by Manish Tiwary, juxtaposes the lives of two university hostellers - Apurv (Imaad Shah), a rich listless guy and, Sanjay Mishra (Shreyas Talpade), an old-fashioned Bihari, aspring to make it big in university politics. It's through their story that the director tries to contrast the liberal outlook with the conservative outlook in our society. Through its ensemble cast, the film explores male bonding, voyeurism, sexual perversion, love and of course, betrayal.
But from a personal point of view, the film centres way too much around sex, sex and more sex...and the climax broke my heart. What a shame. Makes one realize that there’s no dearth of likes of Apurvas around us. What say?
The Road Not Taken
TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference
-- Robert Frost
April 5, 2008
If You would Say
If you would say -
"You are not good enough"
I would then understand,
and perhaps
nonchalantly move on.
And if you would proclaim
"I am in search of a new game
a fair maiden,
with swaying long hair"
then I'll understand more so
and perhaps say -
I really don't care.
But then if you said
"Me plain bored out of life,
looking for, say
a new emotional strife"
this will amuse me more
and who knows
I may even wish
an abundance of such strifes
to keep you sore.
But then, I would not do that
of course,
have no points to score,
but then
how would you know
you soar to newer strifes,
leaving people sore.
"You are not good enough"
I would then understand,
and perhaps
nonchalantly move on.
And if you would proclaim
"I am in search of a new game
a fair maiden,
with swaying long hair"
then I'll understand more so
and perhaps say -
I really don't care.
But then if you said
"Me plain bored out of life,
looking for, say
a new emotional strife"
this will amuse me more
and who knows
I may even wish
an abundance of such strifes
to keep you sore.
But then, I would not do that
of course,
have no points to score,
but then
how would you know
you soar to newer strifes,
leaving people sore.
April 4, 2008
On Some Monologues
Incessant monologues wreck my mind,
But the words come out
In mumbles - incoherent and trite.
To some memories the heart binds
Blanketing, shutting out reason,
It's then that I realise
Wayward is the fancy's flight.
But the words come out
In mumbles - incoherent and trite.
To some memories the heart binds
Blanketing, shutting out reason,
It's then that I realise
Wayward is the fancy's flight.
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